Tagged with 'Pearl fashion'

Each year we work with the student jewellery designers at Central Saint Martins in London, giving them an opportunity to experience designing with pearls for their final year collections.

We will be awarding the Winterson Prize 2018 to one of the students for ‘The Best Use of Pearls’ at the CSM Jewellery Awards Evening on 21st June. The BA Jewellery graduate collections are exhibited at CSM and open to the public from June 20th - 24th.

Here we feature the first part in a series of short interviews with designers from the CSM Jewellery 2018 show, including in this article - Geraldine Wu, Hannah Cochrane, Isla Gilham, Yayun Fang and Yichen Dong.

Read about the other designers in Part I and Aidan Madden, the winner of this year's prize.

 



Geraldine Wu

Tell us a little bit about yourself.
I am from Hong Kong and have lived in London for 4 years now. Being immersed in such busy and diverse places my whole life, I can’t be away from the city for too long. I love living in a place where I can experience the past and the present all at once.

What was the inspiration for the 'Ocean Archives' collection?
I was inspired by illuminated manuscripts and their purpose of being visually decorative to ornament text, painting a fuller picture of the story. I wanted to create jewellery that would emulate a similar effect, with the narrative that the collection is a rediscovered treasure hoard. Hence there is an archaic, medieval influence within the designs.

What do you find inspiring about pearls?
I find pearls very poetic. They are quieter and more understated than faceted stones, they allow their soft lustre to speak for themselves. In a sense, they are not competitive for attention, but know their worth. Also given that they originate from bodies of water, they are very fitting within my collection.

What have you discovered about working with pearls?
I discovered that laser engraving them results in an iridescent powdery finish. My favourites were the dark baroque pearls, as the silvery/golden finish stands out most against the dark surface. I love that it looks like the text is stuck within the pearls, suspended in time.

Which designer or artist do you most admire?
Renaissance painters such as Raphael and Botticelli, I’m always in awe of the juxtaposition of dynamism and restraint in Renaissance paintings.

Who could you imagine wearing your jewellery?
Anyone expressive and likes to curate their own story or character through their dressing.

What is it that makes a piece of jewellery a design classic?
A design that withstands the test of time, something that people always return to.

What’s next for you after CSM?
To learn within the industry and develop my skills as a jewellery designer.

 



Hannah Cochrane

Tell us a little bit about yourself?
I have always been fascinated by jewellery, from the child who eagerly inspected the fine jewellery adverts plastered around Geneva airport, to the adult who spends far too much time staring at other people’s jewellery on the tube.

What was the inspiration for the 'A Sharper Image' collection?
Inspired by concepts put forward by the field of neuroaesthetics, I researched visual elements and design techniques that would re-occur again and again within jewellery from different countries and cultural backgrounds. An example of this was threading teeth and bone structures together to form cohesive strands. Through analysing different threads of aesthetic preference, I condensed these  into a visual style that aligned with my own.

What do you find inspiring about pearls?
To me, the pearl echoes of the first instances of jewellery making: the gathering of beautiful natural objects and using them as adornment.

What have you discovered about working with pearls?
I wanted the otherworldly colour shifts found in some pearls I acquired to be displayed in the best way possible. I found the best way to do this was to find said pearls and then design around them, specifically tailoring the original metal design around it.

Which designer or artist do you most admire?
Too many to count, but currently transfixed by Fernando Jorge's alluring designs.

Who could you imagine wearing your jewellery?
Quite honestly? Myself.

What is it that makes a piece of jewellery a design classic?
A piece that people remember, not necessarily because it might be unique or groundbreaking, but because it lingers on the mind, long after first seeing it.

What’s next for you after CSM?
I plan to look for experience and work within the field of jewellery.

View more of Hannah's work here.

 



Isla Gilham

Tell us a little bit about yourself.
Five years ago, I came across a jewellery workshop on the isle of Iona. The pieces reflected and told stories of the island; Celtic patterns, Serpentine pebbles, coastlines and simplistic beauty; It was at this moment, that I knew I wanted to create jewellery too.

What was the inspiration for the 'Temptation' collection?
The cherished family story of my Great-Grandad’s Jelly Tot tiara.

What do you find inspiring about pearls?
That they embody the idea of beauty in an unexpected place; inside a mollusc’s shell. A concept I have taken for my chewing gum, usually seen to be disgusting, adorning the streets.

What have you discovered about working with pearls?
The beauty of laser engraving their surface! It reveals more beautiful tones and has an almost holographic quality.

Which designer or artist do you most admire?
Many, however, this year, I’ve really admired and taken inspiration from Dutch Golden Age paintings which ‘shout’ indulgence and opulence. The paint captures the deliciousness of food in still lives as I try to with precious materials.

Who could you imagine wearing your jewellery?
Anyone who loves the concept of beautiful, elegant materials but with a playful twist.

What is it that makes a piece of jewellery a design classic?
I think a piece that captures the imagination whilst reflecting and ‘centre staging’ the materials used.

What’s next for you after CSM?
To keep designing, making and being excited by jewellery!

 



Yayun Fang

Tell us a little bit about yourself.
My name is Yayun. As a jewellery designer, I love working with different materials and exploring the traditional craftsmanship practices in my jewellery. One of my biggest pleasures is seeing people wear a piece of jewellery I made and feeling good wearing it.

What was the inspiration for the 'Hip-Hop Lace' collection?
A combination of delicate lace from old master paintings and bold hip-hop jewellery styles are the main inspiration for this collection.

What do you find inspiring about pearls?
I love the alluring shine and elegant colour. I never get tired of looking at pearls or mother-of-pearl as they always have different shades, colour and shine.

What have you discovered about working with pearls?
Pearl accessories always appear along with lace pieces in old master portraits, they both share the same language of delicacy and elegance. In my final collection I wanted to design pieces with both boldness and delicacy. Mother-of-pearl as a material offers me the biggest surface to apply the lace patterns with the way I join them together, which allows me to create a bold yet elegant feel.

Which designer or artist do you most admire?
Andrew Grima.

Who could you imagine wearing your jewellery?
Confident and fearless people.

What is it that makes a piece of jewellery a design classic?
Highlight the best characteristics of a material and approach it in an unexpected and unique way.

What’s next for you after CSM?
I would like to further my career as a jeweller and aim to join the design department of a jewellery company.

View more of Yayun's work here.

 



Yichen Dong

Tell us a little bit about yourself.
I am from China. I like witty and unexpected contemporary designs, and to think conceptually.

What was the inspiration for the 'Be who you want to be’ collection?
I was inspired by stereotypes around transgender, transvestism, LGBT and roles of each gender. I admire those people who are brave enough to express their true identity.

What do you find inspiring about pearls?
To use pearl as a metaphor and a response. I found pearls necklace represent purity and elegance in commonsense, and I am interested in creating contrasts and bring the pearl out of this ‘stereotype’.

What have you discovered about working with pearls?
The single pearl can be a jewellery piece with many possibilities. The colour, its glow and shape can tell lots of stories.

Which designer or artist do you most admire?
Akiko Kurihara. Her works are witty, clever and unexpected with a great sense of humour.

Who could you imagine wearing your jewellery?
People who need encouragement to express identity and to find who they are.

What is it that makes a piece of jewellery a design classic?
The relationship between materials and the story behind the jewellery makes a piece classic and unique.

What’s next for you after CSM?
I’ve got offer and will continue jewellery study in RCA.

View more of Yichens's work here.

It has long been known that the pearl has played a central role in jewellery, with some of the earliest recorded fragments of a pearl necklace being dated to the 4th century BC. What are the most popular and successful designs of classic jewellery that pearls have been used with - and how are they being updated today?

The pearl was believed by numerous cultures to symbolize purity and to offer protection, as well as being indicative of their owner’s social position. Their beauty and rarity meant that the gems held an almost mythological, and certainly significant financial status.

The Timeless Classic

There are many examples through the ages of how our love for the pearl has influenced the wearing, adornment and design of the classic jewellery that we love today.

In China as early as 2300 BC, pearls were considered appropriate gifts for royalty, representing not just the integrity and loyalty of the giver but also the wisdom and virtue of the wearer. Julius Caesar passed a law in the 1st century BC, which determined that pearls should only be worn by the ruling classes.

In India, it is still believed that the pearl confers calm on its wearer, attracting wealth and good luck. The gem was a favourite of Indian royalty, most notably the Mahraja Khande Rao Gaekwad of Baroda, whose seven-strand necklace was legendary even within a culture where extraordinary gems were plentiful – so much so that the famed necklace gained a name of its own: the Baroda Pearls.



Image: A Winterson South Sea pearl and pave diamond clasp necklace

Their extravagant value lead to the pearl playing an important role in trade, which only increased once they were discovered in Central and South America in the 15th century, a discovery which led to the so called Pearl Age.

As a visible symbol of wealth, the demand for pearls escalated, particularly in Western Europe, where royals and aristocrats increasingly emulated their peers in China, India and the Arab states, commissioning elaborate pearl necklaces, earrings, bracelets and brooches.

By the 19th century, demand for pearl jewellery was so high that the supply of natural pearls began to dwindle to the point today where historic pieces of natural pearl jewellery are so rare they can fetch high six or seven figure sums at auction.

The Pearl Necklace

As a result of the way that they reflect light to the face, strands of pearls have become the most popular form of classic jewellery over the ages. The more strands in a necklace, the greater that the necklace reflected the wealth of its owner.



Image 1: Blush Sunrise Necklace
Image 2: A portrait miniature of Emma Ostaszewska née Countess Załuska, ca. 1850s

The lustre of the gems was often preserved by having Victorian maids wear the necklaces during the day to keep the pearls warm and radiant for their mistresses.

With the arrival of the cultured pearl, the status of the gem has shifted over the 20th century, becoming more widely accessible. The multi strand pearl necklace remains an enduring piece of classic jewellery that actresses, society ladies, designers and jewelers such as Winterson prize winner Bella Mung continue to revisit.

Our pearl specialists individually select and grade each strand that makes up a Winterson necklace, often viewing and reviewing pearls throughout the day to be aware of the impact of shifting light on the overtones and lustre of the pearl. Our necklaces are available in multiple lengths, colours, and different types of pearls, including Akoya, Freshwater, South Sea and Tahitian. Read our Buying Guide to choosing a necklace to learn more.

The Pearl Stud

After the pearl necklace, pearl studs form another cornerstone of a woman’s classic jewellery wardrobe. The legendary Coco Chanel was well known for her enduring love of these beautiful gems,which she wore prodigiously (real and fake together).

Although she favoured the monochrome white pearl necklace, once famously declaring “a woman needs ropes and ropes of pearls", her single pearl clip earrings were almost as significant a part of her iconic image.



Image 1: Pocket watch of gold, with enamel and oriental pearls, 1800
Image 2: Green Grey Tahitian Pearl Stud Earrings in Rose Gold

The pearl studs at Winterson are available in a wide choice of colours, sizes from 6-12mm , types of pearls and finished with 18 carat white, yellow and rose gold earring posts and butterflies.

The Pearl Drop Earring

In an era where natural pearls, with all their unique forms and qualities, were the stones that were used in classic jewellery, the popularity of the drop shape is unsurprising. Vermeer’s famous Girl with a Pearl Earring provides the archetypal blueprint for the freshwater drop earring, a classic style that has most recently been adopted by the current Duchess of Cambridge.



Image 1: Yellow Gold Diamond Leverback And Freshwater Pearl Drop Earrings
Image 2: The Girl With The Pearl Earring, Johannes Vermeer, 1665

Natural pearl drops continue to fetch high sums at auction, as the sale of a pair of earrings owned by Empress Eugenie of France, wife of Napoleon Bonaparte, amply demonstrated. Fetching $3.3 million, the drops were then promptly reset for their new owners by American high jeweler Lee Sieglson, reflecting that the value was paid for the pearls rather than their original setting.

The Seed Pearl Ring

Seed pearls gained popularity in Georgian and Victorian jewellery, where they often accented the frame of rings and earrings in the same way that diamond pave does today.



Image 1: Funeral Ring, Landscape and Temples, 18th Century
Image 2: Beau Seed Pearl and Enamel Ring with Yellow Gold

Often seen as part of mourning jewellery, set around painted portraits or landscapes or offset by washes of enamel, this era of jewellery formed the basis of inspiration for Alice Cicolini’s Beau collection for Winterson.

The Pearl Brooch

Seed pearl pave, where lines of these wonderful tiny pearls are set in single or multiple rows, also offered a stylish way for jewellers to incorporate the pearl in brooches. This form of jewellery became highly popular in the 19th century as a decorative jewel, rather than as a functional object which was the original purpose of the brooch.

Although their popularity has waxed and waned over the years, it appears as if the brooch may be increasing in popularity again as fashion brands and jewellers alike seek new surfaces for jewels to come alive.

Perhaps pearls may also find their way onto these new generation designs. The Duchess of Cambridge might have recently signalled the reinvention of this classic jewellery design at a recent state visit, wearing the Queen’s triple pearl and diamond leaf pearl brooch with the stunning Collingwood Pearl and Diamond drop earrings which she often favours.

Each year we work with the student jewellery designers at Central Saint Martins in London, giving them an opportunity to experience designing with pearls for their final year collections.

We will be awarding the Winterson Prize 2017 to one of the students for ‘The Best Use of Pearls’ at the CSM Jewellery Awards Evening on 22nd June.

The BA Jewellery graduate collections are exhibited at CSM and open to the public from June 21st - 25th.

Here we feature the final part in a series of short interviews with designers from the CSM Jewellery 2017 show, including in this article - Maria Mungsommai, Ruhong Chen, Xiaoyu (Coco) Guan, Xindi Nie, Yanmi Lui and Yingping Shen.

Read about the other designers in Part I of this series and the winner of this year's prize.

 



Maria Mungsommai

Tell us a little bit about yourself.
I'm from Thailand and I have lived in the UK for 7 years so far. I came from an academic background and London gifted me with the love for art. Growing up in two vibrant places, I have always been inspired by the eclecticism of both cities and the subject of psychology. Jewellery, for me, is very special. It's magical how such small objects can mean so much.

What was the inspiration for the 'Rose Glass' collection?
It started from a stroll down the jewellery bridge in Ponte Vecchio, watching people looking at fine jewellery window display and asking what is jewellery to them. When looking at fine jewellery such as an engagement ring, it's like there is an instant rose-tinted glass filter. Rose glass is about the romantic desire for fine jewellery. Seeing them and wanting them. Taking inspiration from window displays, for instance, the frame, the glass and the jewellery stand themselves, looking at how jewellery are presented. I wanted to create that romance of seeing jewellery placed behind a glass.

What do you find inspiring about pearls?
Pearls are really romantic in a sentimental way. For me pearls portray a true nuance of romance. Fragile, subtle, a beautiful imperfection. The lustre sort of resembles human skin as well. There's a softness to a pearl that can't be seen in other gemstones.

What have you discovered about working with pearls?
Every single one of them is unique. The dimples and colour differences in each one of them I find very beautiful. Handling them makes you feel instantly more elegant as well (hahaha).

Which designer or artist do you most admire?
There's so many! But if I have to choose I'd say I love the work of Louise Bourgeois and Raf Simons.

Who could you imagine wearing your jewellery?
Hmm.. I think they'll look good on Mia Goth.

What is it that makes a piece of jewellery a design classic?
Can I say whenever there's a pearl in the design? Haha. Well, I think a design is classic when there's some sense of subtlety in it.

What’s next for you after CSM?
I'm planning to do an MA in art business at Sotheby's.



Ruhong Chen

Tell us a little bit about yourself.
I have a passion in art & design and have known that I will work within these area since I was a child. In high school, I studied for two years an A-level in Product design, photography and fine art. Then I studied foundation in CSM and luckily got into BA jewellery. Last year I meet Jewellery Master Catherine Mannheim and studied with her for one month.

What was the inspiration for the 'Ornaments and Pearls' collection?
My collection was started by the idea of conveying a moment of pause and the peacefulness within. Inspired by Edmund de Waal’s project with the same title 'White' (2015- 2016), my research started by looking at the quality of the colour white. I perceive white as being silent, a very powerful quality. And that is why I make all my collection mostly in a silver white finish.

My design has been playing with second-hand ornaments for example; little toys, house decorative adornments, as well as something I personally owned. Ornaments I gathered from second hand market are sentimental objects, carrying the element of memories. By taking away the color, reworking from the form of those ornaments, I have been thinking how memories and white color can both deliever a new perspective to perceive the present world and what was in the past.

Inspired by the Maisie Broadhead art installation ‘pearls’, I like to use the forms of pearl strands in my design so that they appear to have airiness and movement. Initially the use of pearls wasn’t the main focus. However soon my first piece was made, which is a sleeping kitten playing with a pearl necklace. I think it conceptually challenges the traditional use of pearl jewellery.  The pearl necklace in history, as seen in most classical paintings, often stands for decorum, hierarchy status and luxury. Here the pearls are being disrupted by the kitten’s sense of playfulness. The sense of subversiveness is strong, and so I adjusted my design direction to focus on the use of pearls, especially pearl strands. Considering how it can interact with the ornament, and how it brings out the preciousness of silver.

What do you find inspiring about pearls?
Unlike a diamond, which often dazzling and sharp, the beauty of pearls is more subtle, natural and refreshing. I am inspired by its varied luster and colour, especially as it appears like a rainbow, and the pearl’s different shapes are also fascinating. Using pearls with precious metal, it can really transform the metal, bringing a new liveliness.

What have you discovered about working with pearls?
I discovered that there are lots of ways to use pearls, It could simply be attached by gluing, or it can be applied by stone setting techniques, stringing, wiring, beading, crocheting and so on. More complex techniques to use pearls doesn’t make the work more valuable, the value come from how the use of pearl links to the context of the jewellery and how it makes a story as a whole.  The visual quality of purity from pearls is also my focus when I work with pearls.

Which designer or artist do you most admire?
For jewellery design, I admire Otto Kunzli with his minimalism and the use of a witty metaphor in his jewellery, for example the work ‘Gold makes you blind bracelet‘. The gold is concealed in black rubber, the shape forming a gold diamond ring that most people would have.

In fine art area, I like Henri Matisse for his art of strongly expressive human body forms, for example ‘the dance’, as well as his paper cut works that are energetic, and have a curiosity for wondering.

Who could you imagine wearing your jewellery?
Middle aged women who have studied or work in fashion or an art associated area. Having a sense of humor, passionate about life, appreciates the beauty of simplicity and enjoys wearing pearls.

What is it that makes a piece of jewellery a design classic?
Knowing the aim of the jewellery, to be open and true to it throughout the design. Inspiration is important but there are lots of refinements needed. A design classic jewellery arising from new ideas should have a personality like people, which gives an intimacy between the wearer and itself.  Continuing traditional techniques and to innovate are also important.

What’s next for you after CSM?
Study a Master degree jewellery in the UK, also start up my own jewellery business.

View more of Ruhong's work here.

 



Xiaoyu (Coco) Guan

Tell us a little bit about yourself.

My name’s Coco. I’m a Chinese girl, staying in London for four years since my foundation course. I learnt Graphic & Communication Design three years in another University in China before, and then I came to CSM to study Jewellery design, which is my favourite major.

What was the inspiration for the 'Beans & Pods' collection?
The theme of this project is about beans and pods. Beans have long been interesting to me as a form and as a metaphor for positive, value, nourishment and potential. I’ve also been intrigued by how many different scales, shapes, textures and colors they come in. Due to the fact that we often eat beans in our daily life, I collected some different types of beans, such as mung beans, red beans and pea, thus, I want to use beans as a project starting point.

What do you find inspiring about pearls?
I’m interested in the shape of pearls. The surface of the pearl could be smooth and free of marks while the overall shape could be round, oval, pear-shaped, or even misshapen. For this project, I chose to use freshwater pearls, because I like the natural shapes. I feel they’re really like the real beans in the natural.

What have you discovered about working with pearls?
I feel quite good when I worked with them. It’s interesting to stitch pearls to metal.

Which designer or artist do you most admire?
My favorite jewellery designer is Peter Chang, who produces mainly jewellery in the form of bangles/bracelets and brooches. He uses a variety of methods to achieve the bright colors and bizarre shapes. The colors red and yellow were especially popular, and form a color combination often seen in Chang's work.

From his work, I started to understand and explore how colors work together, the responses color provokes in a viewer, and what color symbolizes in nature. For instance, for this project, I made my own color palette and started to overlay many layers of colors on the bean’s surface, meanwhile, I still keep the single color for some of them.

Who could you imagine wearing your jewellery?
I think most of female will love my woks, because of the colors. For the whole collections, I used a lot of bright color, as the aim was to bring people limitless happiness when they try or see my works. And it’s also the main meaning of my works. I hope people can feel happy and get lucky when they wear them.

What is it that makes a piece of jewellery a design classic?
I think it’s the meaning and story behind that piece. The appearance of a jewellery, the color, or the shape should be attractive for people to stop by, but when you understand the story behind it or what it really means, you will appreciate it forever.

What’s next for you after CSM?
I already got a MA Jewellery design offer from CSM. Therefore, I’ll still stay London to finish the course and learn more things.

 



Xindi Nie

Tell us a little bit about yourself.
I’m 22 years old and interested in installation art pieces.

What was the inspiration for the 'Incidental Poetry' collection?
The integration of irrelevant objects fascinates me greatly with the sense of surrealism that is created by the process of clashing and combining. Such events occur accidentally all the time in our day to day lives, objects being turned into another form of existence which also serves an entirely different purpose.

On the other hand, does jewellery possess an ability to influence or even entirely replace the being of ordinary objects in a traditional manner?

What do you find inspiring about pearls?
Pearls are my favorite material, they are unique among other jewellery materials, such as metals and stones, as they are relatively softer and contains gentle sheen. Pearls play a essential role in my collection.

What have you discovered about working with pearls?
The techniques of using pearls is a different category compared with other jewellery techniques that I learned before. I was very impressed with the way of stringing pearls, and french wire finishing techniques.

Which designer or artist do you most admire?
Artist: Giorgio Morandi, Roni Horn, Lois Weinberger, Mark Manders
Designers: Reka Lorincz, Marc Monzo, Bernhard Schobinger, Hands Stofer

Who could you imagine wearing your jewellery?
I would like to think of my works as art pieces, which is a homage for Giorgio Morandi.  His paintings inspired me a lot.

What is it that makes a piece of jewellery a design classic?
The concept behind the design makes a piece of jewellery meaningful and classic.

What’s next for you after CSM?
I’m applying for an MA course at this moment.

 



Yanmi Lui

Tell us a little bit about yourself.
I am always curious about things and I let my mind wander when I’m travelling.

What was the inspiration for the 'Modern Self-defence Armour & Weaponry' collection?
Initially, I am inspired by the culture of different types of martial arts that do and do not use weapons in self-defence, because this form of fighting is integral to many security-related professions e.g. hostess, guards, military training. I enjoyed researching the developmental process of creating a weapon and analysing its changing values in the progress of a modernizing society.

Secondly, Biomimicry: I find the natural design systems in organisms fascinating, especially at a very small scale in insect defence mechanisms.

What do you find inspiring about pearls?
Most defence mechanisms have sharp, warning shapes and textures. I chose to use the iridescent and ‘soft’ qualities of pearls as embellishments to counteract with ‘aggressive’ forms. The way that pearls are formed is a type of natural defence mechanism – molluscs use layers of iridescent nacre to wrap around the intruder, forming a pearl.

What have you discovered about working with pearls?
They are very versatile to work with.

Which designer or artist do you most admire?
Jackson Pollock (Abstract Artist)

Who could you imagine wearing your jewellery?
‘Cheeky’, playful people who like hidden surprises.

What is it that makes a piece of jewellery a design classic?
Memorable, stand-out elements in a piece of jewellery; something that is understood by a big audience. A technique that is shared and practiced by many people i.e. a class strand of pearl necklace is made from specific string knotting techniques.

What’s next for you after CSM?
Work to learn more about the industry hands-on, or if because of visa limitations, I am deciding to learn more about functioning systems on a Masters level.

View more of Yanmi's work here.

 



Yingping Shen

Tell us a little bit about yourself.
I am from China, I studied jewellery identification in China.

I like to combine other design elements into my jewellery, such as fashion and architecture. I think I don’t want to be an artist, I want to be a good jewellery designer in the future, making jewellery between fine and contemporary.

What was the inspiration for the 'Breathing' collection?
I was inspired by the cityscape. I saw the busy buildings in the city, and endlessly windows on the buildings, so many people working inside day by day. I wanted to express a fervent desire to escape from the city’s asphyxiating environment. I used different colours (black and white), different shapes, and some moving parts on the jewellery to express people's need to breathe. Pearls and precious stones express the people (precious) in the buildings.

What do you find inspiring about pearls?
This is my first time that I have used pearls in my jewellery.

I think jewellery with a pearl, and without a pearl are very different, with a pearl that can make a jewellery more feminine.

I think it is very good for my collection, because my collection is based on so many cubes and straight lines, it looks very masculine, but the use of round pearls can change this.

What have you discovered about working with pearls?
I bought some half drill pearls to work, and when I put pearls into the pins, around the holes, the pearls are very easy to break.

Which designer or artist do you most admire?
I like Renzo Piano, the architecture designer.

Who could you imagine wearing your jewellery?
I want to make some jewellery for everyone, unisex, and all ages.

What is it that makes a piece of jewellery a design classic?
I think contemporary jewellery needs a very good story or idea. And fine jewelry needs a good design and good material.

What’s next for you after CSM?
Find a job and make my own brand.